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Apollo 13 (film) 5/7 https://en.wikipedia.org/wiki/Apollo_13_(film) reference science, encyclopedia 2026-05-05T07:37:59.048022+00:00 kb-cron

== Box office == Apollo 13 earned $25,353,380 from 2,347 theaters during its opening weekend, which made up 14.7% of the total US gross. Upon its opening, it was ranked number one at the box office, beating Pocahontas. Additionally, it surpassed Forrest Gump for having the largest opening weekend for a Tom Hanks film. Within five days, Apollo 13 generated $38.5 million, becoming the second-highest five-day opening of all time, behind Terminator 2: Judgment Day. The weekend of the film's opening earned $154 million from ticket sales, surpassing the previous record held by the combined Thanksgiving 1992 openings of Aladdin, The Bodyguard and Home Alone 2: Lost in New York. It would continue to stay in the number one spot for four weeks until it was dethroned by Waterworld. Earning $355,237,933, Apollo 13 was the third-highest-grossing film of 1995, behind Die Hard with a Vengeance and Toy Story (which also starred Hanks). On September 19, 2025, Apollo 13 began a 30th anniversary re-release in IMAX screenings. As of September 21, 2025, the 2025 re-release has made $627,155 from screenings in 200 IMAX theaters.

== Reception == On the review aggregator website Rotten Tomatoes, 94% of 150 critics' reviews are positive. The website's consensus reads: "In recreating the troubled space mission, Apollo 13 pulls no punches: it's a masterfully told drama from director Ron Howard, bolstered by an ensemble of solid performances." Metacritic, which uses a weighted average, assigned the film a score of 78 out of 100, based on 22 critics, indicating "generally favorable" reviews. Audiences surveyed by CinemaScore gave the film an average grade of "A" on an A+ to F scale.

=== Critical response === Roger Ebert of the Chicago Sun-Times praised the film in his review, saying: "This is a powerful story, one of the year's best films, told with great clarity and remarkable technical detail, and acted without pumped-up histrionics." Richard Corliss of Time highly praised the film, saying: "From lift-off to splashdown, Apollo 13 gives one hell of a ride." Edward Guthmann of San Francisco Chronicle gave a mixed review and wrote: "I just wish that Apollo 13 worked better as a movie, and that Howard's threshold for corn, mush and twinkly sentiment weren't so darn wide." Peter Travers of Rolling Stone praised the film and wrote: "Howard lays off the manipulation to tell the true story of the near-fatal 1970 Apollo 13 mission in painstaking and lively detail. It's easily Howard's best film." Janet Maslin made the film an NYT Critics' Pick, calling it an "absolutely thrilling" film that "unfolds with perfect immediacy, drawing viewers into the nail-biting suspense of a spellbinding true story." According to Maslin, "like Quiz Show, Apollo 13 beautifully evokes recent history in ways that resonate strongly today. Cleverly nostalgic in its visual style (Rita Ryack's costumes are especially right), it harks back to movie making without phony heroics and to the strong spirit of community that enveloped the astronauts and their families. Amazingly, this film manages to seem refreshingly honest while still conforming to the three-act dramatic format of a standard Hollywood hit. It is far and away the best thing Mr. Howard has done (and Far and Away was one of the other kind)." The academic critic Raymond Malewitz focuses on the DIY aspects of the "mailbox" filtration system to illustrate the emergence of an unlikely hero in late 20th-century American culture—"the creative, improvisational, but restrained thinker—who replaces the older prodigal cowboy heroes of American mythology and provides the country a better, more frugal example of an appropriate 'husband'." Marilyn Lovell praised Quinlan's portrayal of her, stating she felt she could feel what Quinlan's character was going through, and remembered how she felt in her mind.

== Accolades ==

== Technical and historical accuracy ==