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| title | chunk | source | category | tags | date_saved | instance |
|---|---|---|---|---|---|---|
| Jack Parsons | 12/16 | https://en.wikipedia.org/wiki/Jack_Parsons | reference | science, encyclopedia | 2026-05-05T07:05:39.482275+00:00 | kb-cron |
Parsons testified to a closed federal court that the moral philosophy of Thelema was both anti-fascist and anti-communist, emphasizing his belief in individualism. This along with references from his scientific colleagues resulted in his security clearance being reinstated by the Industrial Employment Review Board, which ruled that there was insufficient evidence that he had ever had communist sympathies. This allowed Parsons to obtain a contract in designing and constructing a chemical plant for the Hughes Aircraft Company in Culver City. Von Kármán put Parsons in touch with Herbert T. Rosenfeld, President of the Southern Californian chapter of the American Technion Society—a Zionist group dedicated to supporting the newly created State of Israel. Rosenfeld offered Parsons a job with the Israeli rocket program and hired him to produce technical reports for them. In November 1950, as the Red Scare intensified, Parsons decided to migrate to Israel to pursue Rosenfeld's offer, but a Hughes secretary whom Parsons had asked to type up a portfolio of technical documents reported him to the FBI. She accused Parsons of espionage and attempted theft of classified company documents on the basis of some of the reports that he had sought to submit to the Technion Society. Parsons was immediately fired from Hughes; the FBI investigated the complaint and were suspicious that Parsons was spying for the Israeli government. Parsons denied the allegations when interrogated; he insisted that his intentions were peaceful and that he had suffered an error of judgment in procuring the documents. Some of Parsons' scientific colleagues rallied to his defense, but the case against him worsened when the FBI investigated Rosenfeld for being linked to Soviet agents, and more accounts of his occult and sexually permissive activities at the Parsonage came to light. In October 1951, the U.S. attorney decided that because the contents of the reports did not constitute state secrets, Parsons was not guilty of espionage. The Review Board still considered Parsons a liability because of his historical Marxist affiliations and investigations by the FBI, and in January 1952 they permanently reinstated their ban on his working for classified projects, effectively prohibiting him from working in rocketry. To make a living he founded the Parsons Chemical Manufacturing Company, which was based in North Hollywood and created pyrotechnics and explosives such as fog effects and imitation gunshot wounds for the film industry, and he also returned to chemical manufacturing at the Bermite Powder Company in Saugus.
Parsons reconciled with Cameron, and they resumed their relationship and moved into a former coach house on Orange Grove Boulevard. Parsons converted its large, first-floor laundry room into a home laboratory to work on his chemical and pyrotechnic projects, homebrew absinthe and stockpile his materials. They let out the upstairs bedrooms and began holding parties that were attended largely by bohemians and members of the Beat Generation, along with old friends including Forman, Malina and Cornog. They also congregated at the home of Andrew Haley, who lived on the same street. Though Parsons in his mid-thirties was a "prewar relic" to the younger attendees, the raucous socials often lasted until dawn and frequently attracted police attention. Parsons also founded a new Thelemite group known as "the Witchcraft", whose beliefs revolved around a simplified version of Crowley's Thelema and Parsons' own Babalon prophecies. He offered a course in its teachings for a ten-dollar fee, which included a new Thelemic belief system called "the Gnosis", a version of Christian Gnosticism with Sophia as its godhead and the Christian God as its demiurge. He also collaborated with Cameron on Songs for the Witch Woman, a collection of poems which she illustrated that was published in 2014.