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| title | chunk | source | category | tags | date_saved | instance |
|---|---|---|---|---|---|---|
| Fringe (TV series) | 12/14 | https://en.wikipedia.org/wiki/Fringe_(TV_series) | reference | science, encyclopedia | 2026-05-05T06:22:09.871365+00:00 | kb-cron |
Fringe premiered in the 2008 United States television season at a regular timeslot of 9:00 p.m. Eastern on Tuesdays. During Season 1, Fringe was part of a Fox initiative known as "Remote-Free TV". Episodes of Fringe were longer than standard dramas on current network television. The show ran with half the commercials, adding about six minutes to the show's runtime. When the show went to a commercial, a short bumper aired informing the viewer of roughly how much time commercials would consume before the program resumed. The pilot episode was leaked via BitTorrent, three months before the series premiere; similar to leaked fellow Fox series Terminator: The Sarah Connor Chronicles. The series was renewed for a second season on May 4, 2009, and moved to 9:00 p.m. on Thursday. It was renewed for a third season on March 6, 2010. As part of a reorganization of its 2010 midseason line up to capture more market for American Idol, the Fox network shifted Fringe to 9:00 p.m. on Fridays. This timeslot, commonly considered the "Friday night death slot" for several previous Fox shows due to cancellation shortly following the move to that slot, left critics considering the show's fate. While The X-Files originally premiered during this slot and would continue to be a highly successful series, critics were unsure if Fringe could duplicate this performance. In this slot, the show competed with Supernatural, a series that attracts similar types of viewers. Fox's Entertainment President Kevin Reilly, in response to these concerns, stated that 45% of Fringe's viewership is from time shifting recording through digital video receivers, and does not expect the viewership numbers to change significantly with the change to Friday. Reilly further postulated that "If it does anywhere near what it did on Thursdays, we can glue that show to the schedule because it can be a big win for us". Further promoted by the critical reaction to the rescheduling, the Fox network created a self-deprecating promotional advertisement acknowledging the reputation of the time slot, including quotes from other media outlets concerned about the move, but asserted that the move would "re-animate" the show. The network also created a music video, set to "Echoes" by the band Klaxons as a means of summarizing the third season to date prior to the first Friday broadcast. Joshua Jackson, who plays Peter Bishop on the show, cautioned that time-shifted viewership may not be enough to save the show: "It's not that not enough people are watching Fringe, it's that not enough people are watching Fringe during the hour that it's on the air, which is key for the network." Producers Pinkner and Wyman also were excited about the move to Fridays, considering the slot as "open territory that can be conquered" and that they "can actually deliver like The X-Files did". Series creator Abrams was less optimistic of the move to Friday nights, aware that the show's likelihood to be renewed for a fourth season would be highly dependent on the number of niche viewers that continue to watch the show. Abrams did affirm that moving to Friday nights allows them to take more creative freedoms to maintain viewership in the new timeslot, but feels that if the show was not renewed for another season, they would be "hard pressed" to resolve the story by the end of the third season. The show's first episode at the Friday 9:00 p.m. timeslot ("The Firefly") scored a 1.9 in the key 18–49 demographic which was an increase of 12% over its last Thursday-aired episode ("Marionette") which scored a 1.7, and maintained similar numbers in the second week for "Reciprocity". Though viewership slipped in further weeks, the show was renewed for a fourth season in March 2011. The move was unexpected based on these ratings, given the past performance of shows with similar viewership numbers in the Friday night slot, but several critics attribute it to the strong fanbase that the show has garnered, which contributes in part to consistently higher time-shifted viewership. Fox's Reilly stated that: