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| title | chunk | source | category | tags | date_saved | instance |
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| Theories of technology | 1/3 | https://en.wikipedia.org/wiki/Theories_of_technology | reference | science, encyclopedia | 2026-05-05T03:26:44.901095+00:00 | kb-cron |
Theories of technological change and innovation attempt to explain the factors that shape technological innovation as well as the impact of technology on society and culture. Some of the most contemporary theories of technological change reject two of the previous views: the linear model of technological innovation and other, the technological determinism. To challenge the linear model, some of today's theories of technological change and innovation point to the history of technology, where they find evidence that technological innovation often gives rise to new scientific fields, and emphasizes the important role that social networks and cultural values play in creating and shaping technological artifacts. To challenge the so-called "technological determinism", today's theories of technological change emphasize the scope of the need of technical choice, which they find to be greater than most laypeople can realize; as scientists in philosophy of science, and further science and technology often like to say about this "It could have been different." For this reason, theorists who take these positions often argue that a greater public involvement in technological decision-making is desired.
== Sociological theories ==
Sociological theories and researches of the Society and the Social focus on how human and technology actually interact and may even affect each other. Some theories are about how political decisions are made for both humans and technology, with here humans and technology are seen as an equal field in the political decision, where humans also make, use, and even move ahead with innovations the technology. The interactions that are used in the majority of the theories on this topic look at the individual human interactions with technological equipment, but there is also a sub-group for the group of people interacting with technology. The theories described are, according to some critiques, purposefully made vague and ambiguous, as the circumstances for the theories change with human culture and technological change and innovation.
=== Descriptive approaches === Social constructivism and technology argues that technology may not determine the human action, but human action may shape technological use. Key concepts here include:
interpretive flexibility: "Technological artifacts are culturally constructed and interpreted ... By this, we mean not only is there flexibility in how people think of or interpret artifacts but also there is flexibility in how artifacts are designed." And so the technological artifacts may determine and shape what that specific technology tool will symbolize and represent in society or in a culture. This is in relation to the Social constructivism and technology theory because it shows how humans symbolize technology, by shaping it. Relevant social group shares a particular set of meanings about a given artifact Economical stabilization is often about when the relevant social group has reached a consensus, according to technological change and innovation criticism Wider context: "the sociocultural and political situation of a social group shapes its norms and values, which in turn influence the meaning given to an artifact" Key authors here include MacKenzie and Wajcman (1985).
Actor-network theory (ANT) is about a heterogeneous network of humans and even non-humans as equal interrelated actors. It strives for impartiality in the description of human actors and nonhuman technological gadgets, and the reintegration of the natural world and the society. For example, Latour (1992) argues that instead of worrying whether we are making anthropomorphological the technology, and we should embrace it as inherently anthropomorphic as technology is after all made by humans, and substitutes for the actions of humans, and therefore shapes the human action. What is important is the gradients and the connectivity of actors' actions and their technological competencies, and also the degree to which we choose to have "figurative" representations. Key concepts here include the inscription of beliefs, practices, relations into technology, which is then said to embody them. Key authors include Bruno Latour (1997) and Callon (1999).
Structuration theory attempts to define the structures also as resources and their rules that are organized with relevant technological system properties at the social level. The theory employs one recursive notion of actions, constrained and enabled by structures which are produced and reproduced by the action. Consequently, in this theory technology can not be rendered as an artifact, so instead examines people and their interacion with technology at their work practices, that enacts structures which shape their emerging and also situated use of that technology. Here, key authors include DeSanctis and Poole (1990), and Orlikowski (1992). Systems theory considers the historical development of technology and media with an emphasis on inertia and heterogeneity, stressing the connections between the artifact being built and the social, economic, political and cultural factors surrounding it. Key concepts include reverse salients when elements of a system lag in development with respect to others, differentiation, operational closure, and autopoietic autonomy. Key authors include Thomas P. Hughes (1992) and Luhmann (2000). Activity theory is considering that entire work and also activity system (including included members, teams, organizations, etc.) beyond one user or actor. It also may account for the environment, personal history and supposed culture, "the role of the artifacts", emerged motivations, and sought views on complexity of activities in real-life. One of the strengths of AT is that it bridges the gap between the individual subject and the social reality—it studies both through the mediating activity. The unit of analysis in AT is the concept of object-oriented, collective and culturally mediated human activity, or activity system.