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| title | chunk | source | category | tags | date_saved | instance |
|---|---|---|---|---|---|---|
| James Braid (surgeon) | 6/7 | https://en.wikipedia.org/wiki/James_Braid_(surgeon) | reference | science, encyclopedia | 2026-05-05T04:05:56.562119+00:00 | kb-cron |
"[The explanation for] the power that serpents have to fascinate birds … is simply this – that when the attention of man or animal is deeply engrossed or absorbed by a given idea associated with movement, a current of nervous force is sent into the muscles which produces a corresponding motion, not only without any conscious effort of volition, but even in opposition to volition, in many instances; and hence they seem to be irresistibly drawn, or spell-bound, according to the purport of the dominant idea or impression in the mind of each at the time.The volition is prostrate; the individual is so completely monoideised, or under the influence of the dominant idea, as to be incapable of exerting an efficient restraining or opposing power to the dominant idea; and in the case of the bird and serpent, it is first wonder which arrests the creature's attention, and then fear causes that mono-ideo-dynamic action of the muscles which involuntarily issues in the advance and capture of the unhappy bird …It is this very principle of involuntary muscular action from a dominant idea which has got possession of the mind, and the suggestions conveyed to the mind by the muscular action which flows from it, which led so many to be deceived during their experiments in "table-turning", and induced them to believe that the table was drawing them, whilst all the while they were unconsciously drawing or pushing it by their own muscular force. – Braid, Physiology of Fascination, etc., (1855, pp. 3–5)."In order that I may do full justice to two esteemed friends, I beg to state, in connection with this term monoideo-dynamics, that, several years ago, Dr. W. B. Carpenter introduced the term ideo-motor to characterise the reflex or automatic muscular motions which arise merely from ideas associated with motion existing in the mind, without any conscious effort of volition.In 1853, in referring to this term, Dr. Noble said, "Ideo-dynamic would probably constitute a phraseology more appropriate, as applicable to a wider range of phenomena".In this opinion I quite concurred, because I was well aware that an idea could arrest as well as excite motion automatically, not only in the muscles of voluntary motion, but also as regards the condition of every other function of the body.I have, therefore, adopted the term monoideo-dynamics, as still more comprehensive and characteristic as regards the true mental relations which subsist during all dynamic changes which take place, in every other function of the body, as well as in the muscles of voluntary motion. – Braid, (1855, footnote at p . 10).
== Jenny Lind and James Braid ==
In August 1847, the famous soprano Jenny Lind visited Manchester, and gave two performances as Amina, in Bellini's 1831 Italian opera semiseria, La sonnambula. Lind's admirers maintained that, "whilst the beauty of her voice was far greater than any other in living memory (thus, the Swedish Nightingale), what really set her apart was her outstanding ability to act". For example, in La sonnambula, in the scenes where Amina was sleep-walking (e.g., over a rickety bridge at a mill), rather than walking along a wide and well-protected walkway (as other sopranos did), Lind routinely acrobatically balanced her way along narrow planks. At that time, many characterized hypnotism as "artificial somnambulism" – Lind's stage performance could be described as "artificial" rather than spontaneous somnambulism – and so while Lind was in Manchester her friends arranged for her to visit James Braid, where it was reported that:
"Mr. Braid, surgeon, whose discoveries in hypnotism are well known, having invited the fair impersonator of a somnambulist to witness some of the abnormal feats of a real somnambulist, artificially thrown into that state, it was arranged that a private séance should take place [on 3 September 1847]." (Manchester Guardian, 8 September 1847)
== Death == Braid maintained an active interest in hypnotism until his death.
"I consider the hypnotic mode of treating certain disorders is a most important ascertained fact, and a real solid addition to practical therapeutics, for there is a variety of cases in which it is really most successful, and to which it is most particularly adapted; and those are the very cases in which ordinary medical means are least successful, or altogether unavailing. Still, I repudiate the notion of holding up hypnotism as a panacaea or universal remedy. As formerly remarked, I use hypnotism ALONE only in a certain class of cases, to which I consider it peculiarly adapted – and I use it in conjunction with medical treatment, in some other cases; but, in the great majority of cases, I do not use hypnotism at all, but depend entirely upon the efficacy of medical, moral, dietetic, and hygienic treatment, prescribing active medicines in such doses as are calculated to produce obvious effects" – James Braid Just three days before his death he sent a (now lost) manuscript, that was written in English – usually referred to as On hypnotism – to the French surgeon Étienne Eugène Azam. Braid died on 25 March 1860, aged 64, in Manchester, after just a few hours of illness. According to some contemporary accounts he died from "apoplexy", and according to others he died from "heart disease". He was survived by his wife, his son James (a general practitioner, rather than a surgeon), and his daughter.