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Ethics of artificial intelligence 11/12 https://en.wikipedia.org/wiki/Ethics_of_artificial_intelligence reference science, encyclopedia 2026-05-05T04:23:03.965241+00:00 kb-cron

== History == Historically speaking, the investigation of moral and ethical implications of "thinking machines" goes back at least to the Enlightenment: Leibniz already posed the question of whether we should attribute intelligence to a mechanism that behaves as if it were a sentient being, and so does Descartes, who describes what could be considered an early version of the Turing test. The romantic period has several times envisioned artificial creatures that escape the control of their creator with dire consequences, most famously in Mary Shelley's Frankenstein. The widespread preoccupation with industrialization and mechanization in the 19th and early 20th century, however, brought ethical implications of unhinged technical developments to the forefront of fiction: R.U.R Rossum's Universal Robots, Karel Čapek's play of sentient robots endowed with emotions used as slave labor is not only credited with the invention of the term 'robot' (derived from the Czech word for forced labor, robota) but was also an international success after it premiered in 1921. George Bernard Shaw's play Back to Methuselah, published in 1921, questions at one point the validity of thinking machines that act like humans; Fritz Lang's 1927 film Metropolis shows an android leading the uprising of the exploited masses against the oppressive regime of a technocratic society. In the 1950s, Isaac Asimov considered the issue of how to control machines in I, Robot. At the insistence of his editor John W. Campbell Jr., he proposed the Three Laws of Robotics to govern artificially intelligent systems. Much of his work was then spent testing the boundaries of his three laws to see where they would break down, or where they would create paradoxical or unanticipated behavior. His work suggests that no set of fixed laws can sufficiently anticipate all possible circumstances. More recently, academics and many governments have challenged the idea that AI can itself be held accountable. A panel convened by the United Kingdom in 2010 revised Asimov's laws to clarify that AI is the responsibility either of its manufacturers, or of its owner/operator. Eliezer Yudkowsky, from the Machine Intelligence Research Institute, suggested in 2004 a need to study how to build a "Friendly AI", meaning that there should also be efforts to make AI intrinsically friendly and humane. In 2009, academics and technical experts attended a conference organized by the Association for the Advancement of Artificial Intelligence to discuss the potential impact of robots and computers, and the impact of the hypothetical possibility that they could become self-sufficient and make their own decisions. They discussed the possibility and the extent to which computers and robots might be able to acquire any level of autonomy, and to what degree they could use such abilities to possibly pose any threat or hazard. They noted that some machines have acquired various forms of semi-autonomy, including being able to find power sources on their own and being able to independently choose targets to attack with weapons. They also noted that some computer viruses can evade elimination and have achieved "cockroach intelligence". They noted that self-awareness as depicted in science-fiction is probably unlikely, but that there were other potential hazards and pitfalls. Also in 2009, during an experiment at the Laboratory of Intelligent Systems in the Ecole Polytechnique Fédérale of Lausanne, Switzerland, robots that were programmed to cooperate with each other (in searching out a beneficial resource and avoiding a poisonous one) eventually learned to lie to each other in an attempt to hoard the beneficial resource.

== Role and impact of fiction ==

The role of fiction with regards to AI ethics has been a complex one. One can distinguish three levels at which fiction has impacted the development of artificial intelligence and robotics: Historically, fiction has prefigured common tropes that have not only influenced goals and visions for AI, but also outlined ethical questions and common fears associated with it. During the second half of the twentieth and the first decades of the twenty-first century, popular culture, in particular movies, TV series and video games have frequently echoed preoccupations and dystopian projections around ethical questions concerning AI and robotics. Recently, these themes have also been increasingly treated in literature beyond the realm of science fiction. And, as Carme Torras, research professor at the Institut de Robòtica i Informàtica Industrial (Institute of robotics and industrial computing) at the Technical University of Catalonia notes, in higher education, science fiction is also increasingly used for teaching technology-related ethical issues in technological degrees.

=== TV series === While ethical questions linked to AI have been featured in science fiction literature and feature films for decades, the emergence of the TV series as a genre allowing for longer and more complex story lines and character development has led to some significant contributions that deal with ethical implications of technology. The Swedish series Real Humans (20122013) tackled the complex ethical and social consequences linked to the integration of artificial sentient beings in society. The British dystopian science fiction anthology series Black Mirror (2013Present) is particularly notable for experimenting with dystopian fictional developments linked to a wide variety of recent technology developments. Both the French series Osmosis (2020) and British series The One deal with the question of what can happen if technology tries to find the ideal partner for a person. Several episodes of the Netflix series Love, Death+Robots have imagined scenes of robots and humans living together. The most representative one of them is S02 E01, which shows how bad the consequences can be when robots get out of control if humans rely too much on them in their lives.