---
title: "Ancient Egyptian race controversy"
chunk: 15/18
source: "https://en.wikipedia.org/wiki/Ancient_Egyptian_race_controversy"
category: "reference"
tags: "science, encyclopedia"
date_saved: "2026-05-05T06:54:30.828998+00:00"
instance: "kb-cron"
---

==== Fayyum mummy portraits ====

The Roman era Fayum mummy portraits attached to coffins containing the latest dated mummies discovered in the Faiyum Oasis represent a population of both native Egyptians and those with mixed Greek heritage. The dental morphology of the mummies align more with the indigenous North African population than Greek or other later colonial European settlers.

==== Black queen controversy ====
The late British Africanist Basil Davidson stated "Whether the Ancient Egyptians were as black or as brown in skin color as other Africans may remain an issue of emotive dispute; probably, they were both. Their own artistic conventions painted them as pink, but pictures on their tombs show they often married queens shown as entirely black being from the south."

Ahmose-Nefertari is an example. In most depictions of Ahmose-Nefertari, she is pictured with black skin, while in some instances her skin is blue or red. In 1939 Flinders Petrie said "an invasion from the south...established a black queen as the divine ancestress of the XVIIIth dynasty" He also said "a possibility of the black being symbolic has been suggested" and "Nefertari must have married a Libyan, as she was the mother of Amenhetep I, who was of fair Libyan style."
In 1961 Alan Gardiner, in describing the walls of tombs in the Deir el-Medina area, noted in passing that Ahmose-Nefertari was "well represented" in these tomb illustrations, and that her countenance was sometimes black and sometimes blue. He did not offer any explanation for these colors, but noted that her probable ancestry ruled out that she might have had black blood. In 1974, Diop described Ahmose-Nefertari as "typically negroid." In the controversial book Black Athena, the hypotheses of which have been widely rejected by mainstream scholarship, Martin Bernal considered her skin color in paintings to be a clear sign of Nubian ancestry. In 1981 Michel Gitton noted that while in most artistic depictions of the queen she is pictured with black complexion, there are other cases in which she is shown with a pink, golden, blue, or dark red skin color.
Gitton called the issue of Ahmose-Nefertari's black color "a serious gap in the Egyptological research, which allows approximations or untruths." He pointed out that there is no known depiction of her painted during her lifetime (she is represented with the same light skin as other represented individuals in tomb TT15, before her deification); the earliest black skin depiction appears in tomb TT161, circa 150 years after her death. Barbara Lesko wrote in 1996 that Ahmose-Nefertari was "sometimes portrayed by later generations as having been black, although her coffin portrait gives her the typical light yellow skin of women."

In 2003, Betsy Bryan wrote in The Oxford History of Ancient Egypt that "the factors linking Amenhotep I and his mother with the necropolis region, with deified rulers, and with rejuvenation generally was visually transmitted by representations of the pair with black or blue skin – both colours of resurrection." In 2004 Aidan Dodson and Dyan Hilton recognized in a later depiction of the queen, "the black skin of a deity of resurrection" in connection to her role as a patron goddess of the Theban necropolis. Scholars such as Joyce Tyldesley, Sigrid Hodel-Hoenes, and Graciela Gestoso Singer, argued that the skin color of Ahmose-Nefertari is indicative of her role as a goddess of resurrection, since black is both the color of the fertile land of Egypt and that of Duat, the underworld.
Singer recognizes that "Some scholars have suggested that this is a sign of Nubian ancestry." Singer also states a statuette of Ahmose-Nefertari at the Museo Egizio in Turin which shows her with a black face, though her arms and feet are not darkened, thus suggesting that the black coloring has an iconographic motive and does not reflect her actual appearance. In 2014, Margaret Bunson wrote that "the unusual depictions of Ahmose-Nefertari in blue-black tones of deification reflect her status and cult." In a wooden votive statue of Ahmose-Nefertari, currently in the Louvre museum, her skin was painted red, a color commonly seen symbolizing life or a higher being, or elevated status.

== Historical hypotheses ==
Since the second half of the 20th century, typological and hierarchical models of race have increasingly been rejected by scientists, and most scholars have held that applying modern notions of race to ancient Egypt is anachronistic. The current position of modern scholarship is that the Egyptian civilization was an indigenous Nile Valley development (see population history of Egypt). At the UNESCO symposium in 1974, several participants concluded that the ancient Egyptian population was indigenous to the Nile Valley, originated largely in the Sahara, and was made up of people from north and south of the Sahara who were differentiated by their color.

=== Black Egyptian hypothesis ===