---
title: "History of cartography"
chunk: 12/16
source: "https://en.wikipedia.org/wiki/History_of_cartography"
category: "reference"
tags: "science, encyclopedia"
date_saved: "2026-05-05T03:59:26.449661+00:00"
instance: "kb-cron"
---

Leuven, Antwerp, and Amsterdam were the main centres of the Netherlandish school of cartography in its golden age (the 16th and 17th centuries, approximately 1570–1670s). The Golden Age of Dutch cartography started in Flanders (mainly in Leuven and Antwerp) when Gerardus Mercator and Abraham Ortelius found its fullest expression during the 17th century with the production of monumental multi-volume world atlases in the Dutch Republic (mainly in Amsterdam) by competing mapmaking firms led by Lucas Waghenaer, Joan Blaeu, Jan Janssonius, Claes Janszoon Visscher, and Frederik de Wit.
Notable representatives of the Netherlandish school of cartography and geography (1500s–1600s) include: Franciscus Monachus, Gemma Frisius, Gaspard van der Heyden, Christophe Plantin, Lucas Waghenaer, Jacob van Deventer, Willebrord Snell, Hessel Gerritsz, Petrus Plancius, Jodocus Hondius, Henricus Hondius II, Hendrik Hondius I, Willem Blaeu, Joan Blaeu, Andreas Cellarius, Gerard de Jode, Cornelis de Jode, Nicolaes Visscher I and Nicolaes Visscher II.
Gerardus Mercator was a Flemish cartographer and geographer with a vast output of wall maps, bound maps, globes and scientific instruments but his greatest legacy was the mathematical projection he devised for his 1569 world map. The Mercator projection is an example of a cylindrical projection in which the meridians are straight and perpendicular to the parallels. As a result, the map has a constant width and the parallels are stretched east–west as the poles are approached. Mercator's insight was to stretch the separation of the parallels in a way which exactly compensates for their increasing length, thus preserving shapes of small regions, albeit at the expense of global distortion. In this way the map projection transforms rhumb lines, sailing courses of a constant bearing, into straight lines on the map thus greatly facilitating navigation. That this was Mercator's intention is clear from the title: Nova et Aucta Orbis Terrae Descriptio ad Usum Navigantium Emendate Accommodata which translates as "New and more complete representation of the terrestrial globe properly adapted for use in navigation". Although the projection's adoption was slow, by the end of the seventeenth century it was in use for naval charts.
Mercator spent the last thirty years of his life working on a vast project, the Cosmographia; a description of the whole universe including the creation and a description of the topography, history and institutions of all countries. The word atlas makes its first appearance in the title of the final volume: "Atlas sive cosmographicae meditationes de fabrica mundi et fabricati figura". This translates as Atlas OR cosmographical meditations upon the creation of the universe, and the universe as created, thus providing Mercator's definition of the term atlas. These volumes devote slightly less than one half of their pages to maps: Mercator did not use the term solely to describe a bound collection of maps. His choice of title was motivated by his respect for Atlas "King of Mauretania"

Abraham Ortelius is generally recognized as the creator of the first modern atlas, the Theatrum Orbis Terrarum. Triangulation had first emerged as a map making method in the early 16th century when Gemma Frisius set out the idea in his Libellus de locorum describendorum ratione (Booklet concerning a way of describing places). The Dutch cartographer Jacob van Deventer was among the first to make systematic use of triangulation, the technique whose theory was described by Frisius in his 1533 book.
The modern systematic use of triangulation networks stems from the work of the Dutch mathematician Willebrord Snell (born Willebrord Snel van Royen), who in 1615 surveyed the distance from Alkmaar to Bergen op Zoom, approximately 70 miles (110 km), using a chain of quadrangles containing 33 triangles in all. The two towns were separated by one degree on the meridian, so from his measurement he was able to calculate a value for the circumference of the earth – a feat celebrated in the title of his book Eratosthenes Batavus (The Dutch Eratosthenes), published in 1617. Snell's methods were taken up by Jean Picard who in 1669–1670 surveyed one degree of latitude along the Paris Meridian using a chain of thirteen triangles stretching north from Paris to the clocktower of Sourdon, near Amiens.
The first printed atlas of nautical charts (De Spieghel der Zeevaerdt or The Mirror of Navigation / The Mariner's Mirror) was produced by Lucas Waghenaer in Leiden in 1584. This atlas was the first attempt to systematically codify nautical maps. This chart-book combined an atlas of nautical charts and sailing directions with instructions for navigation on the western and north-western coastal waters of Europe. It was the first of its kind in the history of maritime cartography.
In 1660, the German-born Dutch cartographer Andreas Cellarius had his star atlas (Harmonia Macrocosmica) published by Jan Janssonius in Amsterdam.
In the long run the competition between map-making firms Blaeu and Janssonius resulted in the publication of an Atlas Maior or 'Major Atlas'. In 1662 the Latin edition of Joan Blaeu's Atlas Maior appeared in eleven volumes and with approximately 600 maps. In the years to come French and Dutch editions followed in twelve and nine volumes respectively. Purely judging from the number of maps in the Atlas Maior, Blaeu had outdone his rival Jan Janssonius. And also from a commercial point of view it was a huge success. Also due to the superior typography the Atlas Maior by Blaeu soon became a status symbol for rich citizens. Costing 350 guilders for a non-coloured and 450 guilders for a coloured version, the atlas was the most precious book of the 17th century. However, the Atlas Maior was also a turning point: after that time the role of Dutch cartography (and Netherlandish cartography in general) was finished. Janssonius died in 1664 while a great fire in 1672 destroyed one of Blaeu's print shops. In that fire a part of the copperplates went up in flames. Fairly soon afterwards Joan Blaeu died, in 1673. The almost 2,000 copperplates of Janssonius and Blaeu found their way to other publishers.

=== French cartography ===