---
title: "Frankenstein"
chunk: 2/6
source: "https://en.wikipedia.org/wiki/Frankenstein"
category: "reference"
tags: "science, encyclopedia"
date_saved: "2026-05-05T04:04:32.694815+00:00"
instance: "kb-cron"
---

Mary Shelley's mother, Mary Wollstonecraft, died from infection eleven days after giving birth to her. Shelley grew close to her father, William Godwin. Godwin hired a nurse, who briefly cared for her and her half-sister, before marrying his second wife, Mary Jane Clairmont, who did not like the close bond between Shelley and her father. The resulting friction caused Godwin to favour his other children.
Shelley's father was a famous author of the time, and her education was of great importance to him, although it was not formal. Shelley grew up surrounded by her father's friends, writers, and persons of political importance, who often gathered at the family home. This inspired her authorship at an early age. Mary, at the age of sixteen, met Percy Bysshe Shelley (who later became her husband) while he was visiting her father. Godwin disapproved of the relationship between his daughter and an older, married man, so they fled to France along with her stepsister, Claire Clairmont. On 22 February 1815, Shelley gave birth prematurely to her first child, Clara, who died two weeks later.
In the summer of 1816, Mary, Percy, and Claire took a trip to visit Claire's lover, Lord Byron, in Geneva. Poor weather conditions, more akin to winter, forced Byron and the visitors to stay indoors. Byron suggested that he, Mary, Percy, and Byron's physician, John Polidori, each try writing a ghost story. Mary was 20 years old when her novel Frankenstein was published.

== Literary influences ==
Shelley's work was heavily influenced by that of her parents. Her father was famous for his 1793 book Enquiry Concerning Political Justice and her mother famous for the 1792 essay A Vindication of the Rights of Woman. Her father's novels also influenced her writing of Frankenstein. These novels included Things as They Are; or, The Adventures of Caleb Williams (1794), St. Leon, and Fleetwood. All of these books were set in Switzerland, similar to the setting in Frankenstein. Some major themes of social affections and the renewal of life that appear in Shelley's novel stem from these works she had in her possession. Other literary influences that appear in Frankenstein are Pygmalion et Galatée by Madame de Genlis, and Ovid, with the use of individuals identifying the problems with society. Ovid also inspires the use of Prometheus in the book's subtitle.
The influence of John Milton's Paradise Lost and Samuel Taylor Coleridge's The Rime of the Ancient Mariner are evident in the novel. In The Frankenstein of the French Revolution, author Julia Douthwaite posits that Shelley probably acquired some ideas for Frankenstein's character from Humphry Davy's book Elements of Chemical Philosophy, in which he had written that,

science has ... bestowed upon man powers which may be called creative; which have enabled him to change and modify the beings around him ... 
References to the French Revolution run through the novel; a possible source is François-Félix Nogaret's Le Miroir des événemens actuels, ou la Belle au plus offrant (1790), a political parable about scientific progress featuring an inventor named "Wak-wik-vauk-an-son-frankésteïn", then abridged as Frankésteïn, who creates a life-sized automaton. However there is no evidence Shelley had read it.
Both Frankenstein and the monster quote passages from Percy Shelley's 1816 poem, "Mutability", and its theme of the role of the subconscious is discussed in prose. Percy Shelley's name never appears as the author of the poem, although the novel credits other quoted poets by name. Coleridge's poem The Rime of the Ancient Mariner (1798) is associated with the theme of guilt and William Wordsworth's "Tintern Abbey" (1798) with that of innocence.
Many writers and historians have attempted to associate several then-popular natural philosophers (now called physical scientists) with Shelley's work because of several notable similarities. Two of the most noted natural philosophers among Shelley's contemporaries were Italian Giovanni Aldini, who made many public attempts at human reanimation through bio-electric Galvanism in London, and Johann Konrad Dippel, who was supposed to have developed chemical means to extend the life span of humans. While Shelley was aware of both of these men and their activities, she makes no mention of or reference to them or their experiments in any of her published or released notes.
Ideas about life and death discussed by Percy and Byron were of great interest to scientists of the time. They drew on the theories of Erasmus Darwin and the experiments of Luigi Galvani, as well as the work of James Lind. Mary joined these conversations, and the ideas of Darwin, Galvani, and perhaps Lind are reflected in her novel.
Shelley's personal experiences also influenced the themes within Frankenstein. The themes of loss, guilt, and the consequences of defying nature present in the novel all developed from Mary Shelley's own life. The loss of her mother, the relationship with her father, and the death of her first child are thought to have inspired the monster and his separation from parental guidance. In a 1965 issue of The Journal of Religion and Health a psychologist proposed that the theme of guilt stemmed from her not feeling good enough for Percy because of the loss of their child.

== Composition ==